Room Full of Mirrors: Works by Probir Gupta

September 2 – September 30, 2022

Emami Art, in collaboration with Anant Art, presents Room Full of Mirrors, a series of works by artist Probir Gupta. This is Probir’s first major outing in his hometown Kolkata. The exhibition will show new paintings and installations and some critical earlier pieces. Probir dispenses with linear discourse and a representational approach, capturing the profound sense of terror, anomie, and disquiet in a complex, highly experimental, and contemporary language. Through the seductive richness of paint and imagery, his works ensnare the viewers and compel them to communicate with them viscerally. All the works in this exhibition mirror the surrounding world- a world caught in a whirlwind of conflict, tension and unrest.

IMAGINARIUM 2.0

Emami Art all India open call award and exhibition
September 2 – September 30, 2022

The exhibition features a versatile range of artworks from ten young art practitioners across the country. Amongst over two hundred applications, the final ten participants of this exhibition: Ali Akbar PN, Sudhir Ambasana, Puja Mondal, Abhishek Chakraborty, Dhaivat Shah, Gyanwant Yadav, Liactuallee, Priti Roy, Priyaranjan Purkait and Subhankar Chakraborty, were selected by an eminent panel of jury. Their artistic approach shows extraordinary promise in both subjective and objective terms. Instead of having a singular focus, the exhibition celebrates the diversity of imaginations, aesthetic sensibilities and critical conjunctions, functioning as parallel points of reference to our socio-temporal expanse.

Tales of This Time

An online exhibition featuring the works of Tufan Pramanik, Pathik Sahoo and Gayatri Halder

July 29th – September 30th, 2022

Tales of This Time is an exhibition of young contemporary artists across India. The exhibition features almost entirely their new work offering a wide range of mediums, influences and themes. While Tufan Pramanik’s work deals with rapid urbanization and its effect on the rural landscape and demography, Gayatri Halder’s white on white pinpricks on paper capture the fragile ecologies of the world. Pathik Sahoo on the other hand, narrates at the level of both the medium and content ,the story of lands and displacement of people.

The exhibition offers three different directions, translating the intangible currents of this era through their unique language and methodology.

THE DARK EDGE OF GREEN

ARUNIMA CHOUDHURY
Works 1995-2022
Curated by Nancy Adajania

June 18 – August 20, 2022

Emami Art is honoured to present a retrospective-scale exhibition of Arunima Choudhury, recognised as one of the most important contemporary artists from Bengal. Curated by Nancy Adajania, the exhibition titled ‘The Dark Edge of Green’ covers a long arc of her practice spanning three decades between 1995 and 2022. Besides paintings, rendered both in acrylic and vegetable colour, the artist’s most preferred medium, her remarkable but rarely shown fabric, ceramic, and enamel works are also on view.

SHAHIDUL ALAM: ‘SINGED BUT NOT BURNT’

Curated by INA PURI

June 18 – August 20, 2022

Opening on the 18th of June, the retrospective exhibition spanning the four decade long career of the renowned photographer who is also a writer, an activist and an institution-builder will be on view for a month before travelling to other Indian cities. The panorama of photographs exhibited will give the viewer an idea of Shahidul Alam’s engagement with issues relating to equality for all as well as his lifelong mission to make visual literacy accessible to everyone through images he has shot during his brilliant career as a photo-journalist and documentarian. ‘Singed but not Burnt’ will have over 80 significant photographs right back from his early archives to his most recent work, sometimes shot urgently with his mobile phone, on the streets while covering a raging riot. Apart from Alam’s own photographs, the exhibition will present vignettes from his life and show among other rare visuals, models created by his neice Sofia Karim of the layout of Keraniganj Jail where he spent 101 days a while ago for engaging in the student’s protest movement.

SOMNATH HORE: A CENTENARY EXHIBITION

CURATED BY K.S. RADHAKRISHNAN

June 18 – July 24, 2022

Somnath Hore: A centenary exhibition, curated by K.S. Radhakrishnan, explores the different facets of the artist. The nonlinear exhibition covers his works across different periods, including works from an unpublished sketchbook of his drawings of daily life in Santiniketan from 1987/88. The exhibition includes intaglio prints from his period in Delhi in the 1960s (including his masterpiece the Birth of a White Rose, 1961- which fetched him the National Award) as well as etchings, drawings, and paintings from different periods, done in different methods. Pages from his sketchbook from 1997/98, with pen-and-ink sketches capture animals in Santiniketan, both in a playful mode, as well as co-sufferers of human beings (as Somnath Hore would see them as). The exhibition showcases some of his early works (woodcut prints) from the 1940s/1950s (including iconic works like Ratey Khuli Baithak, 1946 and Budhiya Barmaner Ma, 1946).

Between the Self and Silhouettes by Soma Das and Anjan Modak

Curated by Adip Dutta

8th April – 4th June, 2022

The self extends itself on to others. A simultaneous acknowledgement of the passerby and recognition of the shadow of one’s self falling on the other constitute the connection. The works of Soma Das and Anjan Modak centre around a sense of empathy that accounts for a search of the self under the pretext of watching numerous others situated around the artist. The relentlessness of recording figures in action, not only indicates the circumstances of the subjects, but also that of the artists who take both the role of an insider and an outsider in looking at them. Thus the figures are marked with a sense of attachment and detachment at the same time.

Ways of Being

An online exhibition featuring the works of two emerging artists Keerti Pooja and Khokan Giri
8th April – 9th may, 2022

Despite the socio-economic differences, human lives are lived through attachments – attachments to each other, attachment to the landscape, attachment to objects and things which they acquire and what shapes them in turn. Therefore, when exploring, the objects become a clue for the artist, who looks beyond the seeming materiality and reveals their concealed stories. Ways of Being features the works of two young artists Keerti Pooja and Khokan Giri, delving into the marginal narratives of our socio-economic strata, exposing the unnoticed beauty and undocumented journeys through their observations and artistic tools.

Riten Mozumdar an exhibition curated by Ushmita Sahu

12th February – 8th April, 2022

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Emami Art in collaboration with Chatterjee & Lal and curated by Ushmita Sahu hosts “IMPRINT: RITEN MOZUMDAR”, an archival exhibition on the life of modernist artist designer Riten Mozumdar (1927 –2006) who had an illustrious career spanning five decades. Fondly remembered as one of the most significant artist-designers of India’s modernist design renaissance, Riten Mozumdar always explored diverse designs and materials and contributed to the world of design extensively.

Riten Mozumdar is known for his contribution to the world of design and his body of work displays a diversity of range and materials exemplifying a rare mastery over mediums and techniques. He was indeed one of the most significant artist-designers of India’s modernist design renaissance. Mozumdar was the product of a schooling which emphasised engagement with heritage as well as arts and crafts as integral to an all-round education. He cherished his relationship with Benodebehari Mukherjee who adored him as his son. He completed his education in painting, sculpture, design and crafts at Santiniketan.

Essential Forms: An Exhibition of MF Husain’s Cut-Outs Presented by Ina Puri

12th February to 28th February, 2022

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Essential Forms: An exhibition of M F Husain’s cut-outs on view from the Emami collection. For the first time, Kolkata is going to be privy to an unseen body of cut-outs in plywood by MF Husain that he did in the early 2000’s, Presented by Ina Puri these are startling two-dimensional cut-out silhouettes of beasts and humans by an artist who worked across diverse mediums with equal ease. He used blocks of primary colours to create his bold silhouettes. The subjects were inspired by the ancestral spirits of man, deity and beast in a sacred space. Thrown deftly together, without any rational endeavour, these images reconstruct the diversity of life and its inherent magic. The exhibition will be held at the Kolkata Centre for Creativity from February 12 to February 28.

Design Histories of Modern and Contemporary India

A symposium series organized by Tapati Guha-Thakurta and Ushmita Sahu
February – March, 2022
Online on Zoom

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This seminar series is an invitation to explore the ways in which a new aesthetic category of ‘design’ breaks free of the epistemologies of the colonial art establishment to emerge as an independent field of pedagogy, practice and creative livelihoods in twentieth century India. It hopes to lay out a chronology of design initiatives, design education and policies, and the making of the profession of designer, in different institutional sites, in areas ranging from printed texts to textiles, from architecture to animation, in post-Independence India.

A number of questions lie open for reflection. While practitioners have repeatedly highlighted the continuum between the domains of art, craft and design, how do the more established entities of ‘art’ and ‘craft’ extend or get morphed into new practices that take on the name of ‘design’? What enables the transitions between these related-but-separate creative circuits, in which ‘artists’ take on the vocation of ‘designers’? What are the various idioms of modernism in India’s design movements that draw as powerfully on contemporary international vocabularies as on the nation’s handicraft and folk-art traditions? In proceeding from the Nehruvian to the post-liberalization era, to what extent is this design history embedded in the patronage of state and industrial capital, in the mobilization of foreign expertise, and in the expansion of the manufacturing economy? How does this design history both feed into and define a new era of middle class tastes, life-styles and consumptions, alongside the expanding industry of publicity and advertising? Can we mark out a present conjuncture, in which histories of design are becoming a new focus of archiving, collecting and exhibiting?

Traces of Transference: An Exposition of Unseen Bearings

A part of the EA Locus in Focus programme, the exhibition brings forth regional narratives tied with universal concerns.
29th December, 2021 to 5th January 2022

Traces of Transference is an exhibition that marks the gallery’s first on-site residency offered to promising artists from East India. The display provides insight into five artists selected for the artist-in-residence programme through an open call – Arjun Das, Deepak Poulose, Gopa Roy, Moumita Basak, and Tahsin Akhtar.

The exhibition offers glimpses into a versatile range of creative outputs and features aesthetic sensibilities, including works completed during the month-long residency. Emerging from sensibilities deeply marked by the chaotic silence of the pandemic, the artworks show vulnerability and emotions, aiding the transference of the past to an imminent future.

Emami Art Hosts “Bhū: The act of becoming

An ensemble exhibition of contemporary ceramics
13th November to 12th December 2021

Kolkata, October, 2021: Emami Art, one of India’s leading contemporary art galleries based in Kolkata is delighted to announce its upcoming exhibition “Bhū: The act of becoming”, an ensemble exhibition of contemporary ceramics. This will be an exclusive exhibition which will feature artworks of 11 prominent artists who will exhibit works which portrays a diverse range of visual languages within ceramic art. The exhibition will be on display from 13th November to 12th December, 2021 from 11 am to 6pm on the ground floor of Emami Art at Kolkata Centre for Creativity.
Bhū: The act of becoming : A mystical word in Sanskrit, Bhū has an array of meanings. It refers to the earth, but also alludes to the nuanced sense of soil, land, region or matter as such. It also means “to be” or “to become” that brings Bhu closer to the realm of ceramic art. Clay has inspired the human civilization since the time immemorial. The unique position of the artist in the discourse of contemporary ceramic art depends on a series of aesthetic and technical decisions made during the process. This exhibition comprises the works of prolific and promising artists namely Devesh Upadhyay, Falguni Bhatt, Indrani Singh Cassime, Kavita Pandya Ganguly, Keshari Nandan Prasad, Partha Dasgupta, Saraswati, Shalini Dam, Shilpi Sharma, Shweta Mansingka and Vinod Daroz who will showcase a diverse range of visual languages within ceramic art.

Emami Art Hosts NS Bendre: Drawings, Sketches, Watercolours

Rarely shown works on paper revealing the intimate bonding the artist felt with the world
13th November to 12th December 2021

Kolkata, October, 2021 : Emami Art, one of India’s leading contemporary art galleries based in Kolkata is delighted to present NS Bendre: Drawings, Sketches, Watercolours an exhibition that brings together some 40 rarely shown artworks on paper from across the artist’s career, revealing the intimate bonding he felt with the world. The exhibition will on be display from 13th November to 12th December, 2021 on the 5th floor of Emami Art at Kolkata Centre for Creativity.
NS Bendre had a long and astonishingly prolific career, exploring the earth, travelling widely and producing a large body of drawings, sketches, and watercolours of the sites and people that make up a significant part of his oeuvre. Much of his unique sensibility, the vernacular charms in colouration and depiction of human figuration in his mature work, was shaped by his rich travel experiences and a life-long habit of drawing from nature. Born in Indore, the capital of princely Indore State, Narayan Shridhar Bendre (1910-1992) studied painting in the State School of Art, excelling in academic realism. A steady winner of medals in the Bombay Art Society’s Annual Exhibition, an outstanding event in those days, he was admired for his skills in academic style and the chromatic brilliance of watercolours.

Bendre felt a similar corporeal bonding with the world, as he wrote:
I belong to this earth. I walk on this earth. I eat on this earth, and I don’t think of anything but this earth. Things here are like a library to me.

EXO-Stential – AI Musings on the Posthuman

Harshit Agrawal’s Solo Exhibition
Curated by Myna Mukherjee
11th September – 30th September, 2021

Is AI (Artificial Intelligence) art any good? Is it truly the future of Contemporary art? Does AI re-conceive the human imagination or ready us for its end? Is AI competition or collaborator? Does AI blur the definition of the ‘artist’? EXO-stential – AI Musings on the Posthuman, offers a deep dive and contemplation of this emergent ontology. Emami Art opens its door to India’s first solo exhibition of AI Art featuring works by pioneering artist Harshit Agarwal and curated by Myna Mukherjee. The project has been manifested by Engendered, a transnational arts and human rights organization and is in collaboration with 64/1. The exhibition will be live at Emami Art from September 11 – 30, 2021.

Harshit Agrawal is a pioneer in the developing genre of AI Art. He has worked with AI art since its inception in 2015; his work has been nominated twice for the top tech art prize, the ‘Lumen’, and he was the only Indian artist at the first global group exhibition of AI Art at a contemporary gallery in 2018. Initial examples of AI Art mainly revelled in its ability to create hauntingly familiar yet alien forms. The field in the last 5 years has deepened considerably and Harshit’s work is a testimony to that inquiry. In this, his first solo show, Emami Art presents the enlarged practice and diversity of AI art with experiments in media (painting, sculpture, text, video, interactive media), aesthetic approach (conceptual, sociological, the painterly), process (varying degrees of human involvement), datasets (from European to Indian) and themes.

Of Liminal Beings and Other Spaces

Arpita Akhanda, Arshi Ahmadzai, Debashish Paul, Maksud Ali Mondal, Prasanta Ghosh
31st July – 27th August, 2021

‘Of Liminal Beings and Other Spaces’ curated by Ushmita Sahu will bring together five artistic practices that explore intangible, interstitial spaces that inform their practices, which allude to and elude normative dualistic norms. Arpita Akhanda, Arshi Ahmadzai, Debashish Paul, Maksud Ali Mondal, Prasanta Ghosh artworks will be on display from 31st July to 28th August, 2021 at Emami Art.

The title of the exhibition is inspired by Foucault’s 1967 lecture/essay – ‘Of Other Spaces: Utopias and Heterotopias’, in which he rues that we are still governed by “oppositions that remain inviolable, that our institutions and practices have not yet dared to break down.” By juxtaposing five distinct practices, the exhibition hopes to create a reflexive re-framing of cognitive and experiential identities, initiate new possibilities of encounters that provide alternative frameworks for thinking, consequently becoming a locus for transitions. Arpita Akhanda quests for identity in past/present, colonised/coloniser dualisms, while Arshi Ahmadzai focuses on women’s private vs public chronicles via a language that negotiates text and image. Debashish Paul, who identifies as non-binary, grapples with the dominant male/female-gendered readings. Finally, Maksud Mondal creates nature-identical environments that foreground the cycle of life and death, while Prasanta Ghosh’s fictional/factual narratives fluidly move between truth and non-truths.

RICE EATERS 101 | N.E.

Curated by Pari Baishya
7th August – 31st August, 2021

Rice Eaters 101 | N.E. is aimed to be the pilot exhibition of an idea, a perceptive attempt to answer the derogatory towards the ethnicity whose diet uses rice as a staple grain in literal reference to the title. Homogeneous to the symbolism of ‘Lotus Eaters’ from Greek Mythology as well as popularly known, ‘Potato eaters’ by Van Gogh, yet divergent at the same time. The concept is derived from the inherited apathy associated with the particular geopolitical region in contrast to another slur, ‘Cow Belt’. Combating the same, the concept is rooted in the belief of perspectives derived by means of reflections in visual art.

Delving beyond the exoticized representation, this exhibition showcases works of seven young artists from the north eastern states of the country and their individual takes on diverged observations prevailing in the region. Incorporating highlights on the Self, society, counter urbanisation, gender fluidity and other unlearning narratives. At the same time actively demonstrating their ethnic identity as a mechanism against the racism cum discrimination experienced throughout.

Sublime Transferences

Curated by Nanak Ganguly
9th July – 31st August 2021

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This exhibition has been based on the desire to give expression to a number of directions and an attempt to stimulate a greater awareness that visual phenomena still exists and that those phenomena often concerns space to play on the paradox of permanence and transience. It engages the contemporary through constant experience of radical disjunctions, the precariousness of positioning, questioning the stability of spatial and temporal realities. Stretching the line of chronology the exhibition titled- ‘Sublime Transferences’ to create room for imaginary conversations and unexpected togetherness across artists of diverse and disparate genres/styles in the present moment of transit where space and time cross to produce complex figures of difference and identity, past and present, inside and outside, inclusion and exclusion that centers around the notion of displacement, migration, identity and particularly living a reality in the middle of a global pandemic.

FEMININE FACETS

An online exhibition of small format works that reveal the feminine worlds as seen and imagined by six eminent artists from Bengal.
25th June – 31st July, 2021

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With the playfulness and delicacy typical of works in small-format, this exhibition features images of woman, mostly faces, done by six widely known and celebrated modern artists from Bengal: KG Subramanyan, Rabin Mondal, Jogen Chowdhury, Lalu Prasad Shaw, Ramananda Bandyopadhyay, and Arunima Choudhury. The small format work not only attracts wider audiences but is also preferred by many of these artists given the eloquence, freedom and informality it allows them to enjoy.

Emami Art Hosts ‘The (in)Visible and the (un) Revealed’

Inside the secret worlds of Kartick Chandra Pyne
A Survey Show
March 17 – June 12, 2021

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“The (in)Visible and the (un) Revealed: Inside the Secret Worlds of Kartick Chandra Pyne,” the most comprehensive survey exhibition of the artist in the recent times. The exhibition brings together a large body of his works from an extended period of his creative life, mostly from the collection of Emami Art, exploring the artist’s complex artistic philosophy and practices and also their manifold significance in our contemporary world.

The survey show will display works of K C Pyne spanning over sixty-years of his artistic career, including his early art school studies and late paintings; the exhibition will help viewers to understand the complexities of Kartick Pyne’s eclectic style, which, though look like naïve or outsider art, are firmly grounded on academic training. The show will also have memorabilia from the artist’s life including old photographs and family albums, personal hand written letters, exhibition catalogues, educational records, sketches published in newspapers, old review articles, awards and a documentary film on his life.

Constellations

Artworks by Jogen Chowdhury | Shuvaprasanna Bhattacharya | Arunima Choudhury | Chandra Bhattacharjee
Arindam Chatterjee | Soma Das | Tamal Bhattacharya | Anjan Modak
February 12 – March 13, 2021

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Constellations, an exhibition by Emami Art, brings together eight contemporary artists from Bengal featuring Jogen Chowdhury, Shuvaprasanna Bhattacharya, Arunima Choudhury, Chandra Bhattacharjee, Arindam Chatterjee, Soma Das, Tamal Bhattacharya and Anjan Modak.
The exhibition presents a range of practices. Although no stylistic grouping or common thematic ground holds these artists within the exhibition, the varied practices appear as eight distinct conceptual postures or constellations in the curated space of the gallery. These artists address diverse concerns, exploring meanings, implications and the politics of our anxious time.

After the Masters Breaking Step

Walking With An online exhibition by Kala Bhavana Faculty Members
January 5 – February 5, 2021

After the Masters: Breaking Step – Walking With is an online exhibition by Emami Art that will be showcasing the works of Kala Bhavana Faculty members.

Kala Bhavana has just crossed its hundredth year and has been marked by informality and freedom – opening up multiple avenues before its mentors and mentees to choose from. Thus, the tradition of tactile media has often taken a conceptual route. New forms and genres have come to cohabit with the traditional tracts and opened up the spaces for thinking about ‘creativity and construction’ (Tagore’s favorite words) and helped to unpack the wistful and the redundant in art language. Thereby, a mnemonic space has come alive, facing fresh challenges and growing. This multiplicity resonates in many of the institute’s common acts. A long journey is often an exhaustive affair and needs replenishment. The current exhibition can be understood as a fresh marker as well as a challenging testing-ground in that journey along those multiple paths.

Khoai Landscape | খোয়াই ল্যান্ডস্কেপ

Works on paper by Ghana Shyam Latua
January 5 – January 30, 2021

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Khoai Landscape | খোয়াই ল্যান্ডস্কেপ is a bilingual show by Emami Art that will be showcasing the works on paper by Ghana Shyam Latua. Ghana Shyam was deeply fascinated by the landscape paintings of the Santiniketan artists when he first saw them as a student of Kala Bhavana. In his paintings of Khoai, he, however, has consciously chosen not to follow the tradition of the Santiniketan artists, for the sublime presence that once inspired the artists and poets of Santiniketan is now largely lost and threatened by the rapid spread of tourism and urbanization. Surrounded by the white blank spaces, Khoai is depicted in his monochrome paintings in the exhibition not as a panoramic landscape but as a series of fragmented frames, like plots.

GESTURES | রূপভঙ্গি

Drawings and linocuts by Partha Pratim Deb
December 18, 2020 – January 30, 2021

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Partha Pratim Deb, who is best known for his unique and colourful assemblage of the discarded household objects, maintains a long, persistent and productive career in exploring newer possibilities in drawing as an independent medium of creative expression.

What Partha Pratim wants to practice can be called “the pure cultivation of the means” of drawing. Instead of setting out to depict something visible, he uses the shapes and lines for their own sake, giving sole emphasis to their graphic quality. His drawing begins without pre-planning, allowing the abstract composition to emerge through a process of improvisation, introspection and submission – an innovative approach makes him something of a rarity among the contemporary Indian artists.

FLUID BOUNDARIES

Curated by art historian & critic, Nanak Ganguly
November 6 – December 15, 2020

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“Fluid Boundaries, curated by art historian & critic, Nanak Ganguly will be showcasing exemplary works-of-art across diverse genres by Snehasish Maity, Debasis Barui, Tapas Biswas, Bholanath Rudra and Suman Dey. In ‘Fluid Boundaries’ we will find the works of these cutting edge artists to confront our traditional experience of sound, light and image, how these are re-ordered and returned in an innovative role reflecting the artist’s choice of subject. The artworks will be all about physical, metaphoric and psychological implications that are always entangled and represented in socio-linguistic patterns. Viewings of these vast range of paintings, sculptures and installations at Emami Art will result not in familiarity but fresh discoveries.

Suburban Shadows: Recent works on paper by Prasanta Sahu

October 15 – November 30, 2020

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Concerned with farming and agriculture in the context of modern life and the representation of daily labourers of various occupations in the suburban localities, the recent works of Prasanta Sahu in the exhibition revolve around the particular notion of the study, understood not as a regular academic practice – a drawing or sketch done in preparation for a finished piece – but something close to the anthropological idea of case-study: the contextual analysis of the everyday life and actions of an individual, group or community that exhibits the morphology of the social structure. A trained artist, Sahu also has a background in electrical engineering. His work thus shows both the pictorial intelligence and imagination of an artist and the analytic approaches of the scientific disciplines. There are contradictions, and his work encompasses them. More often than not, the fieldwork documents, data table and photographs veer abruptly from a scientifically oriented daily account to an avant-garde oneiric montage of images, texts and numbers.

Āroh

Emami Art Open Call Exhibition
September 30 – October 30, 2020

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Āroh, an online exhibition brings together an exciting range of practices and languages exploring diverse concerns of twelve talented artists from across India. They are the winners of the First Emami Art Open Call Mentorship and Exhibition Programme 2020 and were chosen by a jury from over two hundred applicants. The selected artists are Anirban Saha and Arindam Sinha (Kolkata, Arpita Akhanda (Cuttack), Daina Mohapatra (New Delhi), David Malaker (Kolkata), Debashish Paul (Nadia), Dhara Mehrotra (Bangalore), Janhavi Khemka (Varanasi), Kalpana Vishwas (Santiniketan), Kumar Ranjan (Faridabad), Manisha Agrawal (Lucknow) and Neelesh Yogi (Indore). This exhibition is part of Emami Art’s programme to provide talented artists with a platform to exhibit their works, as well as support in the form of mentorship and advisory. The twelve awardees also received a one-on-one mentorship session plus portfolio review from our five mentors, eminent art practitioners Adip Dutta, Jagannath Panda, Praneet Soi, Prasanta Sahu, TV Santhosh as well as Emami Art CEO Richa Agarwal and project curator Ushmita Sahu.

INSIGHTS । অন্তর্দৃষ্টি

Paintings by Bholanath Rudra and Suman Dey
September 2 to September 30, 2020

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The exhibition presents the recent paintings by Bholanath Rudra and Suman Dey, two exceptionally talented young contemporary artists based in Kolkata. A graduate of Rabindra Bharati University, Bholanath is an accomplished watercolourist; for him, the process of painting is not just a means to an end, a mere matter of skill and draughtsmanship, but a means of penetrating the reality, of probing beyond the surface appearance to capture the essential mood of the subjects. Many of his large-scale watercolours, which show his mastery in handling the medium, have a compelling presence, revealing the exalted quality of the sublime.

Bengal Masters: A Tribute

Works of eminent artists, from the collection of Emami Art
August 20 – September 30, 2020

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Modern Indian Art has an eclectic character that privileges a cross-cultural exchange and hybridity over cultural purity. A remarkable blending of the elements borrowed from the modern art of the West and India’s traditional antecedents, the works of the modern masters in the exhibition, from Nandalal Bose to Jogen Chowdhury, show the plural, eclectic nature of Indian Modernism, which has a unique history in Bengal, closely connected to the social, political and cultural life of the region.

This online exhibition presents the works of nine eminent artists, from the collection of Emami Art. They are Nandalal Bose, Indra Dugar, K.G. Subramanyan, Jamini Roy, Abani Sen, Gopal Ghose, Nikhil Biswas, Kartick Chandra Pyne and Jogen Chowdhury. It is a selection focused on the master artists from Bengal, each one of them has a distinctive approach, style and artistic vocabulary, which affirm their place in the global history of Modern and Contemporary Art.

Fragmented Life | খন্ডিত জীবন

Anjan Modak
August 5 to August 31, 2020

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With the nationwide lockdown declared on 24 March, the government halted all forms of public transport and shut down markets to protect its citizens. It helped those who could afford to stay in but not those outside this circle of protection. The lockdown wreaked havoc on the migrant labourers, who were left starving and homeless in many big cities of India and unprotected against the virus. The entire nation was shocked to witness the incredible suffering and deaths of the migrant workers making their long journey home on foot in the sweltering heat of the summer. Affected by the sights of suffering, Anjan Modak has painted the series of small size, circular-format paintings titled Fragmented Life, showing the dismal experiences of the migrant workers in the hard times of pandemic.

Though topical, the series of paintings can be seen as part of the artist’s large body of works that represents the life of the working class. Showing mastery in narrative figuration, these works invoke no triumph of labour, but an aesthetics of the everyday life, connecting mundane, commonplace objects, gestures, memories and emotions to the wider, dominant social and political forces shaping the popular life of the society. Drawing on diverse visual traditions, from surrealism and puppetry to biology textbook illustrations, in his paintings Anjan, an insider and well familiar with the complexity of the subaltern mentalities, marked by the sense of subordination, anomie and insecurity, does not represent the subaltern life merely objectively, but as a layered, fragmented narrative of body, history and the city.

Tales of Our Time | এইসময়ের পট

Recent paintings of Anwar Chitrakar
July 5, 2020 to July 31, 2020

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The paintings of Anwar Chitrakar in this online exhibition show his artistic talent in making sense of the pandemic times we are living through.

Born in 1980 to a traditional patua family at Naya Village, West Midnapore, Anwar received his training in Bengal folk paintings from his father Amar Chitrakar. Working within the stylistic boundaries of Kalighat Painting, Anwar, however, does not habitually repeat the past, but uses the visual potentialities of the conventional art forms to capture the transitory sights and emotions of the everyday world, the strangeness and banality of which we see down the streets. In his pata paintings, the iconic figuration, flowing lines, tonal volumes, intercepted by brilliant hues, bring to the fore not the stories depicted in them but artist’s unique visions and his astute sense of humour. Giving the traditional art forms a contemporary touch, Anwar plays the painter as a flamboyant storyteller, as well as a witty comedian.

Anwar lives and works from Naya village, which is home to over two hundred families of folk painters or patuas working as a close-knit community. Unlike many of them, Anwar is contemporising traditional art forms, responding to the art world’s renewed interest in making the tribal and folk art more mainstream.

Stand with Bengal

MASH | INA PURI | KCC brings to you a fundraiser to support Bengal
June 7 2020 – July 7 2020

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As Cyclone Amphan made landfall, raging powerfully across the city & the villages, wreaking havoc upon anything & anyone in its path, homes were destroyed, homes & stretches of forest land ravaged. For those few hours, it felt like the gods had forsaken Bengal. When the storm finally abated realisation dawned that it would take a very long while to get back to normal. To rebuild lives & livelihoods. To restore the destroyed villages & equally, the city of Kolkata.

Watching from afar & unable to help immediately was deeply troubling. Like me, friends & members of the art fraternity based elsewhere, all felt we had to help as individuals & as a community.That was how Stand with Bengal began- with a plea to the people willing to help to come forward & plan an initiative that would raise funds for Bengal.

We were going to do our very best & reach out to people who most desperately need our support. I am deeply grateful for the immediate & spontaneous support of Shalini Passi & Richa Agarwal who agreed to this fundraising project for our Bengal immediately. The artists we reached out to, all agreed to either donate or contribute to the cause & so we’re able to begin our enterprise. We agreed together that the net proceeds would be donated to Ramkrishna Mission, Kolkata who were already doing such outstanding community service. Here we are, flagging off our fundraiser in the hope that all of you will come forward & do whatever is possible to raise funds for people in Bengal whose lives have been destroyed.

‘Nature As I See’| আমার ভূবন

Arunima Chowdhury
5th June 2020 – 30th June 2020

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‘Nature As I See’ an online exhibition presenting the recent paintings by Arunima Choudhury reveals the many shades of her love of nature. The love of nature came early on for Arunima, but it was after her fateful encounter with the works of the Santiniketan artists that she gradually developed her aesthetic appreciation of nature. She, like the artists of Santiniketan, showed a profound love for landscape and natural beauty; their visions of nature are, however, often dissimilar. Nature for Arunima is not just a piece of geography but something personal, revealing a close bond between the human and natural worlds. It is often conceived as feminine and maternal, an embodiment of the qualities that a mother possesses. Nature, existing both within and outside us, is in constant motion; Arunima succeeds in capturing the layers of emotions and dynamism at the level of both image and medium. The naturally produced dyes with which she paints are not just a new medium for her, but a language that gives palpability and organic feeling to her paintings. Colour has a unique presence in Arunima’s organic paintings; it is not used simply to distinguish forms.

BLACK WHITE AND MORE | A Selective Online Exhibition by Emami Art

Optimism is the faith that leads to achievement. Nothing can be done without hope and confidence.
Helen Keller

Our country is going through a challenging time, but we are sure that we can overcome this hurdle by staying positive. Being confined to the four walls of your house for days on end is not easy, but our minds are free and our imaginations have no limit. We at Emami Art want to spread positivity and happiness as we believe that optimism is the only way to overcome these difficult times. Beyond the black and white that we are seeing now we believe and hope that there is more.

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“BLACK WHITE AND MORE” is a selective online exhibition by Emami Art showcasing some of the finest monochromatic artworks of Jogen Chowdhury, Rabin Mondal, S. G. Vasudev, Dashrath Patel, Bose Krishnamachari and Manu Parekh. In these artworks you will see what happens when these great artists put away their colourful palettes and instead focus only on shades of black, white and some more, the result is more liberating than it sounds. You can perceive details you didn’t notice before – textures, and new meanings.

Starting Date: Starting 20th April 2020

Extend A Hand – An online exhibition to raise funds for the ongoing pandemic
Covid – 19

Extend A Hand – an online exhibition of 120 artworks

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The proceeds from sale of art will support young artists and contribute towards rehabilitating communities, whose livelihood is impacted due to the outbreak of COVID-19. We pray that we emerge from this crisis soon. Empathy and Generosity are the need of the hour. Please support the endeavour. The paintings are priced between Rs. 8, 000 and Rs. 2 Lakhs. The proceeds from your buying an artwork will contribute to the lives of many and will always remind you of compassion.

About Emami Art

Emami Art, one of the most significant art institutions in the eastern part of India, is a key space for cultural production in the region. The organisation is focused on a future-forward, complex, multi-dimensional approach and steadfast in the advocacy of emerging, mid-career and established artists as well as an engagement with contemporary and historical material. The gallery aims to create dynamic, wide-ranging registers of exhibition-making and viewing. Deeply committed to promoting a regional, national and international agenda through innovative and alternative programming, emphasis on community and socially relevant engagements, institutional partnerships and more via a multi-year vision for the future, Emami Art is resolute to be a catalyst of change, research, innovation and inclusivity.